Next week begins December's annual Book Reviews in the lead to Christmas. Books make great gifts, and I'm excited to feature a number of wonderful titles. But to this week's post…enjoy.
Exhibition: London
Syd Shelton - Rock Against Racism
Exhibition: London
Syd Shelton - Rock Against Racism
Rock Against Racism Supporters
One of the exhibitions I caught in London was Syd Shelton's Rock Against Racism. Fantastic black and white images that show Shelton's street photography roots and capture the electrified movement that saw punk rock and reggae bands come together to fight racism and celebrate diversity in the late seventies. The message here is no different to today. Intolerance has no place in our societies.
Rock Against Racism was formed in 1976 by a group of writers, musicians and artists to counter the then rising support for the National Front. Shelton was one of the early members and became the movement's de facto photographer. The movement put on concerts and also participated in protests. The most renown being 1977's Battle of Lewisham where 125 National Front marchers staged an 'anti-mugging' march only to come up against around 10,000 Rock Against Racism supporters.
“At the time, if you were young, black, and male in particular, then you were really caricatured as a mugger," says Shelton. "It was a little bit like the nonsensical thing that sees all Muslim people as Jihadists. It’s the same sort of caricature and it was really horrific.”
Rock Against Racism was formed in 1976 by a group of writers, musicians and artists to counter the then rising support for the National Front. Shelton was one of the early members and became the movement's de facto photographer. The movement put on concerts and also participated in protests. The most renown being 1977's Battle of Lewisham where 125 National Front marchers staged an 'anti-mugging' march only to come up against around 10,000 Rock Against Racism supporters.
“At the time, if you were young, black, and male in particular, then you were really caricatured as a mugger," says Shelton. "It was a little bit like the nonsensical thing that sees all Muslim people as Jihadists. It’s the same sort of caricature and it was really horrific.”
Bagga, vocalist with Matumbi
Anti-racist Skinheads, Hoxton, London 1978
Rock Against Racism Concert 1978
Mick Jones and Paul Simonon, The Clash
Rock Against Racism Concert 1978
By 1978 tens of thousands participated in Rock Against Racism marches and bands such as The Clash and Tom Robinson Band were headlining Rock Against Racism concerts as the new wave of punk rock took hold.
The movement lasted for about five years and Shelton says he believes they were successful in changing attitudes. "That's what we wanted to do. We felt as though we could change things and I think we did".
Rock Against Racism is also a book and you can buy it here.
Until 5 December
Rivington Place
London
EC2A 3BA
Berenice Abbott
By 1978 tens of thousands participated in Rock Against Racism marches and bands such as The Clash and Tom Robinson Band were headlining Rock Against Racism concerts as the new wave of punk rock took hold.
The movement lasted for about five years and Shelton says he believes they were successful in changing attitudes. "That's what we wanted to do. We felt as though we could change things and I think we did".
Rock Against Racism is also a book and you can buy it here.
Until 5 December
Rivington Place
London
EC2A 3BA
Berenice Abbott
Berenice Abbott Self-Portrait
Another exhibition I saw in London at Beetles+Huxley in Mayfair, which finished this week, was a collection of works by Berenice Abbott (1898-1991). I really loved this show too.
Abbott was a pioneer and her journey is an inspiration - photographer, businesswoman, inventor of photographic equipment, teacher and artist - are just a few of the labels she earned. Her story is one of determination and open-mindedness. A free spirit with a brilliant mind. At the age of 19 she dropped out of journalism school at Ohio State University, as she didn't agree with the politics of academia, and moved to New York with nothing more than what she could carry. There she worked odd jobs and lived with friends in Greenwich Village. Surrounded by artists she began to explore her creative side.
In the early 1920s her love of sculpture drew her to Paris where she was introduced to photography as Man Ray's darkroom assistant. The pair had met earlier in New York. She needed a job and he wanted someone who wasn't a photographer. It was an ideal arrangement.
Abbott is quoted as saying "Man Ray did not teach me photographic techniques. One day he did, however, suggest that I ought to take some (photographs) myself; he showed me how the camera worked and I soon began taking some on my lunch break. I would ask friends to come by and I’d take pictures of them. The first I took came out well, which surprised me. I had no idea of becoming a photographer, but the pictures kept coming out and most of them were good. Some were very good and I decided perhaps I could charge something for my work".
Another exhibition I saw in London at Beetles+Huxley in Mayfair, which finished this week, was a collection of works by Berenice Abbott (1898-1991). I really loved this show too.
Abbott was a pioneer and her journey is an inspiration - photographer, businesswoman, inventor of photographic equipment, teacher and artist - are just a few of the labels she earned. Her story is one of determination and open-mindedness. A free spirit with a brilliant mind. At the age of 19 she dropped out of journalism school at Ohio State University, as she didn't agree with the politics of academia, and moved to New York with nothing more than what she could carry. There she worked odd jobs and lived with friends in Greenwich Village. Surrounded by artists she began to explore her creative side.
In the early 1920s her love of sculpture drew her to Paris where she was introduced to photography as Man Ray's darkroom assistant. The pair had met earlier in New York. She needed a job and he wanted someone who wasn't a photographer. It was an ideal arrangement.
Abbott is quoted as saying "Man Ray did not teach me photographic techniques. One day he did, however, suggest that I ought to take some (photographs) myself; he showed me how the camera worked and I soon began taking some on my lunch break. I would ask friends to come by and I’d take pictures of them. The first I took came out well, which surprised me. I had no idea of becoming a photographer, but the pictures kept coming out and most of them were good. Some were very good and I decided perhaps I could charge something for my work".
At work
Portrait Eugene Atget
Portrait Jean Cocteau
Portrait Jessie Cateicher
Portrait Unknown
Her long career is defined by her portraits and her decade-long documentation of New York City, as well as road trips and the work she did in the field of science in the forties in a bid to bring the wonders of science to the masses. Below are two of my favourite Berenice Abbott science photographs.
Last week in London I had the opportunity to see some of these works on show at Beetles + Huxley Gallery in the final days of the exhibition. I also bought the catalogue, an elegant production that allows me to revisit the images at my leisure. The catalogues produced by many of the galleries in Europe are just exquisite and I could easily fill my bookshelves (if I had any empty shelves to fill that is!). At least the catalogues are small enough to bring home in an already laden suitcase.
Festival: Cambodia
Angkor Photo Festival and Workshops
By 1926 Abbott was exhibiting and had a thriving photographic studio of her own. She didn't look back and never worked for anyone again. She spent almost a decade in Paris where she cemented her reputation as a leading portrait photographer. One of her most personal portraits was of French photographer Eugene Atget whose work Abbott greatly admired. She is credited with championing the work of Atget whose archive Abbott secured after his death.
Three years later Abbott moved back to New York, but it was the beginning of the Great Depression and work was hard to procure even for someone with her reputation. She multi-tasked shooting portraits, editorial work, teaching and applying for grants (sound familiar?).
Three years later Abbott moved back to New York, but it was the beginning of the Great Depression and work was hard to procure even for someone with her reputation. She multi-tasked shooting portraits, editorial work, teaching and applying for grants (sound familiar?).
Her long career is defined by her portraits and her decade-long documentation of New York City, as well as road trips and the work she did in the field of science in the forties in a bid to bring the wonders of science to the masses. Below are two of my favourite Berenice Abbott science photographs.
Last week in London I had the opportunity to see some of these works on show at Beetles + Huxley Gallery in the final days of the exhibition. I also bought the catalogue, an elegant production that allows me to revisit the images at my leisure. The catalogues produced by many of the galleries in Europe are just exquisite and I could easily fill my bookshelves (if I had any empty shelves to fill that is!). At least the catalogues are small enough to bring home in an already laden suitcase.
Festival: Cambodia
Angkor Photo Festival and Workshops
Next Friday the 11th Edition of Angkor Photo opens in Siem Reap, Cambodia with an extensive line up of exhibitions, projections and workshops. To find out more visit the site here, but for a taste…
Vlad Sokhin - Kiribati
Cosmos/Panos
James Whitlow Delano - Scorched Earth: China’s Wounded Environment
Gabi Ben Avraham
Palani Mohan - Hunting with Eagles
Sergine Laloux - At the Heart of Tibetan Buddhism
5-12 December
Siem Reap, Cambodia
Siem Reap, Cambodia
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