September 11, 2015

Friday Round Up - 11 September, 2015

This week on Friday Round Up Melbourne celebrates the opening of a new gallery space - Magnet Galleries - with an exhibition by renowned Australian photojournalist Michael Coyne; two other award-winning Australian photojournalists, Stephen Dupont and Jack Picone head to Cuba for their next workshop; Getty Images announces the winners of the inaugural Getty Images Instagram Grant and Patricia Casey's new work goes on show in Sydney. 

This Week:
I had the great pleasure to interview American entertainment photographer Frank Ockenfels for an upcoming feature article. Frank's all about pushing the boundaries and as far as he's concerned, there are no rules! Here's a peek at some of his photographs. More information on the feature and his Sydney exhibition coming soon.


 Shirley Manson, Garbage

 David Bowie

Adrian Brody

New Photography Gallery: Melbourne
It's exciting to announce the opening of a new gallery dedicated to photography in Melbourne. Magnet Galleries, the brainchild of photographer Michael Silver and curator Suzanne Silver opens this Sunday 6th September in the heart of the city. The Silvers successfully ran PhotoNet Gallery before outgrowing the space and relocating to Bourke Street. Billed as ‘a new social enterprise living centre of photography’ Magnet Galleries Melbourne is intended as a hub of photography where exhibitions, workshops and gatherings will be held throughout the year. 

2/640 Bourke Street
Melbourne City

Exhibition: Melbourne
Michael Coyne - The Weather is Different a Few Miles Away
Yi People, China 





13 September to 3 October
Magnet Galleries Melbourne

Workshop: Reportage
Havana, Cuba with Stephen Dupont and Jack Picone 

L-R:Jack Picone and Stephen Dupont

In this intimate, intensive workshop, participants have the unique opportunity to work with world-renowned photojournalists Stephen Dupont and Jack Picone and guest writer Jacques Menasche to hone their photographic storytelling skills. 


(C) Stephen Dupont


(C) Jack Picone


(C) Jack Picone

(C) Stephen Dupont

This dawn-to-dusk 6-day workshop involves challenging fieldwork, formal and informal critiques, editing sessions, evening projections and open discussion. In a stunning Cuban setting, participants fully engage with the local culture and environment, and learn how to create photographic reportage to the highest standard.

Places are limited. Register here

Awards:
Getty Images Instagram Grant


Getty Images, in collaboration with Instagram, announces the winners of the inaugural Getty Images Instagram Grant, a program founded to reward photographers documenting stories from underrepresented communities around the world using Instagram.

More than 1200 entries were received from 109 countries. The three recipients were chosen based on their respective bodies of work on Instagram. Their work was judged by an esteemed panel of photographic experts, including National Geographic Photography Fellow David Guttenfelder, Director of Photography & Visual Enterprise for TIME Kira Pollack, documentary photographer Maggie Steber, documentary photographer Malin Fezehai, and co-founder of @EverydayIran and documentary photographer Ramin Talaie who focused on the quality of imagery, photographic technique, as well as storytelling ability. Each recipient will receive a grant of US $10,000 and mentorship from one of Getty Images' award-winning photojournalists.

And the winners are:

Ismail Ferdous (@afterranaplaza), a Bangladeshi documentary photographer using Instagram to cover social humanitarian issues, receives a grant for his project titled After Rana Plaza, which centers around the surviving relatives of those killed in the 2013 collapse of the Rana Plaza garment factory.


(C) Ismail Ferdous 


(C) Ismail Ferdous 


(C) Ismail Ferdous 

Adriana Zehbrauskas (@adrianazehbrauskas), a Brazilian-born photographer currently residing in Mexico City, has been awarded for her Instagram portfolio of work which covers topics such as climate change and the documentation of the everyday lives of Latin Americans. Adriana intends to use the grant to fund her project “Next of Kin: Family Matters”, shooting portraits of the families of 43 missing students who went missing from the Ayotzinapa Rural Teachers School last year. Adriana is also a contributor to the Instagram collective @everydayclimatechange.


(C) Adriana Zehbrauskas


(C) Adriana Zehbrauskas


(C) Adriana Zehbrauskas

Dmitry Markov (@dcim.ru), resides in Pskov, Russia, and volunteers for multiple children’s charities. By sharing his work on Instagram, Dmitry hopes to spotlight the plight of orphaned children and encourage society to “look at the problems of such children in a humane way.”


(C) Dmitry Markov


(C) Dmitry Markov


(C) Dmitry Markov

Exhibition: Sydney
Patricia Casey - Murmur 


In this series Patricia has intricately woven landscape and portrait photography with detailed embroidery to create images that are not only physically multi-layered, but also allegorically. Within each frame Casey invokes a world where memory, nature and fantasy reside in a harmonious coming together that invites the viewer to drift into the realm of imagination.

The images in “Murmur” are printed on fabric and then embroidered making each a unique piece of art. “There are a lot of meditative qualities with working with your hands. When you work with photography your hand is quite removed from your art practice, particularly with the switch to digital. I wanted the self to be more inserted into the work and stitching does that. It slows you down,” she says. 







Patricia will also be exhibiting at PhotoVisa 2015 in Krasnodar, Russia later in the year as part of a curated show by Alasdair Foster.

13 - 27 September
Janet Clayton Gallery
406 Oxford Street
Paddington

September 04, 2015

Friday Round Up - 4 September, 2015

This week on Friday Round Up - Getty Images announces its grant winners at Visa Pour l'Image, Photoville gears up in New York and Photo Shanghai has its second outing.

But before turning to those stories, I want to write briefly about this heartbreaking image that rocked the world.

(Dogan News Agency / European Pressphoto Agency)

Nothing underpins the capacity of a photograph to move public opinion than that of the body of 3 year old Syrian boy Aylan Kurdi, washed up on a beach in Turkey. This photograph has been published around the world and shared many thousands of times on social media. It has made millions question their role as a citizen of the world and to call for action from their governments. It is heartbreaking, yet the horror of this reality is galvanising people across nations.

It has also given the media an opportunity to take back their place as the Fourth Estate, if only temporarily. Newspapers across Britain have run the photograph shaming the British government who is anticipated to make an announcement that it will take more refugees. In the US newspapers are also pushing for a greater refugee intake.

Media are also justifying why they chose to publish the photograph. Here is an excerpt from an editorial published in the Los Angeles Times written by Kim Murphy, Assistant Managing Editor, Foreign and National News who said it was "imperative" the paper publish this photograph:

We have written stories about migrants suffocated in trucks, run over by trains, drowned in capsized boats, but these tragedies have unfolded largely unwitnessed; here was a boy...whose fate forced anyone who saw him to confront the magnitude of the migrant crisis unfolding in Europe and the Middle East. A crisis that our nation, through the wars it has fought in the region, had a hand in igniting. A human drama that has seen European nations struggle to confront the streams of refugees, some of them fleeing horrific violence, who have turned up pleading at their doors — while the U.S. admitted just 36 Syrian refugees in fiscal 2013.” Click here to read the full story.

The Washington Post's Beirut Bureau Chief, Liz Sly, shared the photo of Aylan on Twitter on Wednesday after seeing it on a Turkish news site. Here's what she said: 

“Instantly I received a huge response, mostly from people who said they too were deeply moved by the image. Some people, however, criticized me — and those retweeting me — for sharing the picture at all. This response puzzled me...How many photos of dead Syrian children show up on social media every day? Don’t people know what has been happening in Syria?

And then it occurred to me — perhaps they don’t.

My colleagues and I have been writing about Syria’s war for four years, about the desperation of the refugees who fled the country and the 250,000 people, including children, who have died over the course of the conflict. Some of us, Syrian and foreign journalists, have died, too, trying to tell their stories.

Yet it has seemed that no one really paid much attention — at least, not in terms of seriously trying to solve the problem, seriously trying to help. If it takes photographs of dead children to make people realize children are dying, so be it."
You can read the full story here. 

May the good in humanity prevail.

Awards:
2015 Getty Images Grants for Editorial Photography 

The winners for this year's Getty Grants were announced at Visa Pour l'Image yesterday:

Salvatore Esposito for What is Missing?

(C) Salvatore Esposito/Getty Images Editorial Grants recipient 2015

(C) Salvatore Esposito/Getty Images Editorial Grants recipient 2015

(C) Salvatore Esposito/Getty Images Editorial Grants recipient 2015

(C) Salvatore Esposito/Getty Images Editorial Grants recipient 2015

(C) Salvatore Esposito/Getty Images Editorial Grants recipient 2015

This project explores the complicated social layers of Naples, telling the story of the city by analysing the feeblest and neediest social structures within the city. The work is captured with a desire to show the negligence that has arisen as a result of the city’s ruling class.

Javier Arcenillas for Latidoamerica 

(C) Javier Arcenillas/Getty Images Editorial Grants recipient 2015

(C) Javier Arcenillas/Getty Images Editorial Grants recipient 2015

(C) Javier Arcenillas/Getty Images Editorial Grants recipient 2015

(C) Javier Arcenillas/Getty Images Editorial Grants recipient 2015

(C) Javier Arcenillas/Getty Images Editorial Grants recipient 2015


Honduras is considered one of the most violent places on earth. Every day on the streets of Honduras’ cities murders, robberies and violence are commonplace. This project aims to document the axis of uncontrolled violence in Honduras as social and political factors aggressively feed the issue.

Mojgan Ghanbari for Zanan 

(C) Mojgan Ghanbari/Getty Images Editorial Grants recipient 2015

(C) Mojgan Ghanbari/Getty Images Editorial Grants recipient 2015

(C) Mojgan Ghanbari/Getty Images Editorial Grants recipient 2015
(C) Mojgan Ghanbari/Getty Images Editorial Grants recipient 2015


Iran, with a population of 77 million, is the third highest populated country in the Middle East, with a 50 percent female demographic and over 60 percent of the population under the age of 35. Profound changes took place in the country as a result of the Islamic revolution in 1979, which had a significant impact on the lives of women. Legislative changes to Islamic rules resulted in further restrictions being imposed on women; restrictions on community participation, enforcement of the mandatory hijab and the Family Protection Law. Despite every effort by the State to convey a positive image of Shia Muslim Iran, there are still many clauses that limit women and their civil rights. Women are legally prohibited from the presidency, and are discriminated against in senior leadership positions, judgeships and educational fields; inheritance laws are significantly prejudiced against women.

Matt Eich for Carry Me Ohio 

(C) Matt Eich/Getty Images Editorial Grants recipient 2015

(C) Matt Eich/Getty Images Editorial Grants recipient 2015

(C) Matt Eich/Getty Images Editorial Grants recipient 2015
(C) Matt Eich/Getty Images Editorial Grants recipient 2015


Heroin has seen a resurgence across the United States in recent years, but it is keenly prevalent in Ohio. In 2010, 315 people in Ohio died in heroin-related deaths. By 2012 that number soared to 725. The state's response has been wide-ranging, with new laws creating stricter penalties for drug traffickers and creative ideas to expand treatment and needle-exchange programs. Although Ohio is at the vanguard of drug-prevention policy, the state's efforts appear to have their limits. Statistics show heroin is winning.

This year Getty Images received almost 400 applications from 78 countries. Each photojournalist will receive US$10,000 as well as collaborative editorial support from Getty Images. Getty Images Co-founder and Chief Executive Officer Jonathan Klein said, “The 2015 Getty Images Grants for Editorial Photography recipients exemplify the dedication, determination and integrity that define the photojournalism community. We strongly believe in the power of imagery to move the world and I am extremely proud that our grants programme continues to provide emerging and established photojournalists with the freedom to bring global attention to complex issues that otherwise may remain unseen.”

Getty Images has also announced that one of the Getty Images Editorial Grants will be renamed The David Laidler Memorial Award, in honour of former employee, the late David Laidler, who passed away last month. David was instrumental in bringing the Getty Images Grants for Editorial Photography programme to life.

Festivals & Fairs:

Photoville - New York City



Photoville is the largest annual photographic event in New York City with exhibitions housed in re-purposed shipping containers that create a modular venue in Brooklyn Bridge Park. In addition to the exhibitions are workshops and nightly screenings and events in the famed Photoville Beer Garden. This year there are more than 70 ‘container’ exhibitions as well as those works featured on the FENCE in Brooklyn Bridge Park, Boston, Atlanta and Houston. Here's a peek at what you can expect from this year's program:


Brenda Ann Kenneally’s Upstate Girls: Unraveling Collar City, an examination of post-industrial America through photographs, film and collected ephemera of young people as they come of age on one block in North Troy, NY 


Daniel Berehulak’s Scenes From The Ebola Crisis, which covers his four-month, Pulitzer Prize-winning coverage of the Ebola crisis in Liberia, Sierra Leone and Guinea presented by The New York Times.


Eugene Richards’ Red Ball of a Sun Slipping Down, an examination of life in the impoverished Arkansas Delta forty years ago and today. The exhibition interweaves old black-and-white photographs with recent color photographs and a short story. 


Jeff Sheng's Fearless, for which he photographed over 200 LGBT student athletes between 2003 and 2015 


Matt Black’s The Geography of Poverty, an exhibition of images collected during a three-month, 30 state trip on which Black photographed some of America’s most destitute communities



Radcliffe Roye’s When Living Is a Protest, documenting the everyday reality of those living in the struggle for racial equality 


Stephanie Sinclair’s Too Young to Wed, an exhibition of photographs documenting the millions of young girls who are forced into marriage.

Photoville 
10-20 September
Brooklyn Bridge Park 

Photo Shanghai Art Fair
Organised by the World Photography Organisation, the second edition of Photo Shanghai art fair features 50 international galleries and over 500 works of art. In addition Photo Shanghai also presents its education series, which includes a discussion panel on the role of photography in international museums with Christopher Phillips from ICP New York and Liu Heung Shing from ScOP, Shanghai. Last year the Fair attracted 25,000 visitors. 


(C) August Sander, Three Farmers, 1928. Courtesy of Time Space Gallery, Beijing


(C) Luo Yongjin, Otherness - Curtain, Henan, 2014. Courtesy of OFOTO & ANART, Shanghai


(C) Ormond Gigli, Girls in the Windows, New York, 1960. Courtesy of Staley-Wise Gallery, New York


(C) Terry O'Neill, Brigitte Bardot, Spain, 1971. Courtesy of BEETLES+HUXLEY


(C) YANG Fudong, The Light That I Feel 1, 2014. Courtesy of ShanghART Gallery, Shanghai

11-13 September
Photo Shanghai
Shanghai Exhibition Centre