Showing posts with label poverty. Show all posts
Showing posts with label poverty. Show all posts

August 04, 2017

Photojournalism Now: Friday Round Up - 4th August, 2017

This week Photojournalism Now: Friday Round Up goes back to Hong Kong with Benny Lam's Trapped, plus some personal insights from a recent trip.

Photo essay:
Benny Lam - Trapped


According to the Society for Community Organisation, in Hong Kong more than 200,000 people live in what are described as 'Coffin Cubicles,' tiny, cramped spaces that house individuals and also families with children. Pressured by unemployment, rising housing costs and overcrowding, many find themselves with little choice. Greedy landlords divide up rooms and buildings, illegally, and charge more than $USD250 a month for the privilege of living in a room the size of a broom closet. 







Photographer Benny Lam's expose is shocking. He told National Geographic's Proof that through his series called “Trapped,” he "wants to illuminate the suffocating dwellings that exist where the lights of Hong Kong’s prosperity don’t reach. He hopes by making the tenants and their homes visible, more people will start paying attention to the social injustices of their circumstances.

“You may wonder why we should care, as these people are not a part of our lives,” Lam writes on his Facebook page. “They are exactly the people who come into your life every single day: they are serving you as the waiters in the restaurants where you eat, they are the security guards in the shopping malls you wander around, or the cleaners and the delivery men on the streets you pass through. The only difference between us and them is [their homes]. This is a question of human dignity.”




(C) All photos Benny Lam

You can read his story and view more images at National Geographic Proof.

Observation:
Hong Kong Domestic Workers' Day Off


One Sunday when I was in Hong Kong recently I saw these congregations of women. They were sitting on the sidewalk, on overpasses, outside hotels and up-market shopping centres. At first I thought they were homeless, although the sheer numbers refuted that notion. Quickly I learned their stories.  

Hong Kong’s live-in domestic workers are entitled to only one day off a week. With no place of their own, every Sunday they congregate on the streets, a practice that has been going on since the 1980s. 

Thousands of mostly female Filipino migrant workers bring food, drink and music. They sit with their friends on pieces of cardboard spending the entire day outdoors, and often staying until late into the night. They eat, dance, play cards and chat about their lives and their families who they have left behind - often these women have to leave their own children and travel afar to earn money for the family. 

Most of these women are abused by their employers - underpaid, underfed and forced to live in accommodation that in some instances takes the form of a mat on the floor of a closet. The majority work 16 hour days. 

But some domestic workers are beginning to organise and in recent months there have been protests for improved working conditions. 

Yet another glimpse into a side of Hong Kong that is in stark contrast to the tourism brochures. 




(C) All photos Alison Stieven-Taylor 2017

June 26, 2015

Friday Round Up - 26 June, 2015

This week a look at three incredibly powerful photo essays including Arnau Bach’s seminal work, Suburbia, plus Bruce Gilden hits the Paris Metro, Australians on show at PhotoIreland and Auckland Festival of Photography’s inaugural charity auction.

Photo Essays:
Japanese American Internment Survivors
Paul Kitagaki Jr


During WWII more than 120,000 Japanese Americans were interned in camps in the USA. Dorothea Lange, amongst others, photographed many of those detained in California. Photographer Paul Kitagaki Jr’s family was amongst them. 70 years later he has revisited those original photographs, tracking down others pictured and where possible shooting them in the same location as the original images. Kitagaki also interviewed his subjects about their experiences. It’s an emotional series that reminds us the human toll of war extends far beyond the battlefields to impact those who through their ethnicity are fated to be called enemies. To see more images and read the full story visit Mother Jones


Dorothea Lange also photographed Kitagaki’s family. Above, his grandparents Suyematsu Kitagaki and Juki Kitagaki are with their children, Kimiko (11yo) and his father Kiyoshi (14yo) in Oakland, California. They were interned in the Topaz Internment Camp in Utah in 1942.Below: In this photo Paul Kitagaki Jr. (far right) is pictured with his father (centre) and aunt Kimiko (second from left) at the same location as the original photograph.




Above: This iconic image by Dorothea Lange features 70-year-old Sakutaro Aso and his grandsons Shigeo Jerry Aso and Sadao Bill Aso. They were deported from California in 1942. Bill (below right) told Kitagaki, "When I look at the picture, I can see my grandfather realized that something terrible was happening and his life was never going to be the same again. That was the end of the line for him”.


Shigeo Jerry Aso and Sadao Bill Aso (C) Paul Kitagaki Jr


Above: Helene Nakamoto Mihara (left) and Mary Ann Yahiro (center) taken by Dorothea Lange in San Francisco 1942. Both girls ended up in Topaz Internment Camp in Utah. Mary Ann, pictured on the right below with Helene, and her mother were separated and never saw each other again.  


(C) Paul Kitagaki Jr


Girls in Justice
Richard Ross
“Been here two months for a violation. They make me take out all the studs they can. But the one in my throat and in my cheeks are implants. I ran away from placement. It was a group home with 65 kids in Critinton, Orange County.” 15 year old.

American photographer and academic Richard Ross has been working on his long term project to document the juvenile justice system in that country for the best part of a decade. After photographing detention centres in more than 30 states Ross has no doubt the system is failing these kids. He hopes his photographs can shine a light on the plight that a growing number of American teens face. 


“I should be a sophomore but I have no credits for school. The last grade I completed was eighth. My mom visits. She isn’t a parent; she’s a teenager in a parent body.” 16 year old.

Girls make up the largest number of juvenile detainees in the system and some are as young as ten. Ross, who is a professor at the University of California, has published a second book on the project - Girls in Justice - that specifically focuses on this group. Many are in detention for minor offences, and carry the scars of emotional and physical abuse often at the hands of their families. Others have nowhere else to go.

Ross photographs the girls to obscure their faces. “If you see a face, you can say, ‘well, I’m glad that’s not my kid. But if the face is obscured, it could stand in for anybody’s kid,” he says. 


“I was four months when I first came in the system. My mom didn’t have a house; she lost it. I’m here with my sister, but my sister’s now with a foster family. If it works out, she gets to stay. But she told me it’s not gonna work out and she’ll be back to see me.” 11 year old. 


“They took me from my mom at age 12 because she’s had drug problems. She was beating me, and I was molested by her friends. I think I was born in Asheville, North Carolina, but at this point I don’t really live anywhere.” 15 year old.

“My mom is deceased. Drug overdose. I stayed with my auntie until I was 11 in Compton. She was abusive, verbally and physically. I went to maybe 15–20 foster homes.” 16 year old.

You can see more of Richard Ross’s work on juveniles in justice on the website Juvenile in Justice
Read the full interview with Ross at Slate.com

Suburbia
Arnau Bach



(C) Arnau Bach


(C) Arnau Bach


(C) Arnau Bach


(C) Arnau Bach


(C) Arnau Bach


(C) Arnau Bach
Spanish photographer Arnau Bach spent four years photographing the inhabitants of Seine-Saint-Denis, one of the most populated, and poverty stricken areas of Paris. Here 1.5 million people live in close quarters. Unemployment and crime are high and hope for a better tomorrow faint. On his website Arnau says, “This work seeks to reflect on the lifestyle of youth in these ghettos: their gregarious existence and their love for hip-hop culture, the lack of opportunity and the absence of social services and recreational facilities which leads them to stay idle in the streets. Beyond the harshness of their social codes, youth culture rebels as an act of resistance against of a present where they don’t have much to gain and even less to lose.”

To see more of his work click here

Bruce Gilden
Paris Metro


Through October, RATP, the world's fifth largest public transport company will feature photographs by Magnum Photos' Bruce Gilden in 16 of its subway stations. The theme of the exhibition is urban mobility in the five cities where the RATP group operates: Hong Kong, Johannesburg, Manchester, New York and Paris. Gilden’s 41 photographs will be on display in multiple locations totaling nearly 300 images. 












All Photos: (C) Bruno Marguerite RATP

PhotoIreland
Dublin

(C) Katrin Koenning

Australians have a strong presence at this year’s Photoireland which kicks off on 1st July in Dublin for a month. Melbourne’s Katrin Koenning continues her European tour with an exhibition of new works; the Australian Centre for Photography presents Island - Australia a group show curated by Claire Monneraye that features a range of genres from street photography to documentary and fine art with works by Markus Andersen, Katelyn Jane-Dunn, Charles Kasprzak, Kristian Laemmle-Ruff, Jesse Marlow, Raphaela Rosella, Chris Round, David Maurice Smith, Juliet Taylor and Wouter Van De Voorde and; the Asia Pacific Photobook Archive will also present a selection of books from its collection. To find out more visit the Festival here  

Auckland Festival of Photography
Charity Auction


On Tuesday 30th June, the inaugural Auckland Festival of Photography Charity Auction will be held at 6.30pm at Webb’s at 23-25 Falcon St Parnell. You can bid on photographic works by emerging and established New Zealand photographers. There’s 55 photographic works up for grabs. Check out the catalogue here.