Showing posts with label photobooks. Show all posts
Showing posts with label photobooks. Show all posts

September 29, 2017

Photojournalism Now: Friday Round Up - 29th September, 2017

This week on Photojournalism Now: Friday Round Up - the plight of the Rohingya with Anastasia Taylor-Lind in Bangladesh, Milton Rogovin's The Forgotten Ones, plus the Australian Photobook Awards are now open for entries and get your photobook reviewed in Sydney.


News:
What's really happening to the Rohingya


Photojournalist Anastasia Taylor-Lind is in Bangladesh working with Human Rights Watch right now covering the heartbreaking story of the Rohingya. I saw one of her photos last week, a portrait of a young woman, Hasina, who shared her horrific story. It made me cold with fury and sick from the inconceivable cruelty. I wanted to share this story with you, and a link to an Op Ed in the Washington Post - The Burmese military is committing crimes against humanity - penned by Human Rights Watch's Peter Bouckaert. This is genocide and the world needs to know what is going on. Get the story out. Please share.

(C) Anastasia Taylor-Lind

This is from Anastasia's post: "Hasina (above) is a soft-spoken 20-year-old Rohingya woman from Rakhine State in Burma. She asked us to use her picture and tell her story so the world knows what is happening there.

Her village, Tula Toli, was attacked in late August by the Burmese army on a rampage of killing and arson after Rohingya militants carried out coordinated strikes on police posts. The villagers ran when the soldiers came, but some were trapped on a river bank. Dozens, Hasina said, were murdered on the beach in front of her eyes, but the nightmare was only beginning.

The army forced Hasina and many other women to stand waist-deep in water and watch while soldiers dug a pit to burn the bodies of those they had killed. She tried to hide her infant daughter under her shawl, but a soldier noticed the baby, snatched her away and tossed her into the fire.
Hours later the soldiers took Hasina, her mother-in-law, sister-in-law and three other relatives, all children, to a nearby house. The soldiers tried to rape the women, knifing the mother-in-law to death when she resisted and beating Hasina and her sister-in-law unconscious. They beat the young children to death with spades.

When Hasina regained consciousness, she found herself inside the house. It was on fire, and she had been left locked inside by the soldiers. Her sister-in-law was alive, too. They managed to escape the flames, but with serious burns. Badly injured, they somehow made their way to Bangladesh. Both still have burn injuries. Hasina’s sister-in-law, who confirmed this horrible incident, showed us a big gash on the back of her head from when she had been beaten unconscious, and that a doctor had stitched.
Hasina insisted we take her picture and show her face to the world. For her, it is a brave act of defiance to those who sought to eliminate her and her family. Investigation by Peter N. Bouckaert and photo by Anastasia Taylor-Lind for a Human Rights Watch."


Photo Essay:
Milton Rogovin - The Forgotten Ones


In the course of researching for my PhD I come across various photographers who from time to time I will feature on Photojournalism Now. This week it's the work of American photographer Milton Rogovin, who passed away in 2011 just after his 101st birthday.

Over four decades, from 1970 to 2000, Rogovin documented the Lower West Side of Buffalo, New York, the city’s poorest area where he took portraits of those doing it tough. In his book The Forgotten Ones, Rogovin said, “Maybe my photos will encourage people to pay attention to these forgotten ones. That’s essentially why I’m doing it: we should pay attention to them and respect them. And to this extent, we (he and his wife Anne pictured below) feel that our photographs are successful”. 



Rogovin began his photography career in earnest at the age of 63. Prior to that he’d had a successful business as an optometrist, before he was accused of being a communist in the McCarthy era and called before the House Un-American Activities Committee in 1957. With his career as an optometrist in tatters, Rogovin picked up his camera and in 1958 he began photographing stories of social injustice. He earned a Master of Fine Arts and taught documentary photography at the University of Buffalo until 1974.

Throughout his photographic career he concentrated on the poor, believing that no one saw the “potential” he saw. Here are some of his images. 










Australian Photobook Awards and Reviews

Moments Pro, who sponsors the annual Australian and New Zealand Photobook Awards, is hosting a photobook review session at the Volume Another Art Book Fair in Sydney Saturday 14 October from 11am to 2pm. 


There are only 8 spots available. Reviewers include Kirsten Abbott from Thames & Hudson, award-winning photojournalist and artist Stephen Dupont, Diana Hill from Murdoch Books, documentary photography Lee Grant, Daniel Boetker-Smith form the Asia Pacific Photobook Archive and Ben Chadbond from Try Hard Editions. 

If you’re keen to have your book reviewed, you can sign up here.

Enter now for the Australian Photobook Awards.  Entries close 30 November.

July 21, 2017

Photojournalism Now: Friday Round Up - 21st July, 2017

This week on Photojournalism Now: Friday Round Up - Valentyn Odnoviun's Surveillance, the annual Swan Upping on the Thames, Monique Jaques Gaza Girls to become a book, and the winners of the Magnum Photography Awards are announced.

Photo Essay: 
Valentyn Odnoviun - Surveillance



Ukrainian photographer Valentyn Odnoviun, who is based in Vilnius, Lithuania, has spent the past few years creating images of the spy holes in the prison cell doors and the solitary walking yards of former prisoners of the KGB. 

It’s an intriguing series that leaves much to the imagination of the viewer, which is Odnoviun’s objective: “to create a more concrete communication with the help of interpretation and conceptual thinking”. 

 Thanks to Doug Spowart for introducing me to this work, which he discovered at this year's Vienna PhotoBook Festival. 



(C) All images Valentyn Odnoviun


Event: 
What's Swan Upping you might ask?

(C) Leon Neal

This week the annual count of the Queen's swans began on the Thames. Known as Swan Upping this is perhaps one of the more quaint and quirky of the British royals' rituals, but it makes for a fabulous photo opportunity. 

(C) Peter Macdiarmid

(C) Dan Kitwood

(C) Dan Kitwood

(C) Dan Kitwood

Book:
Monique Jaques - Gaza Girls: Growing Up in the Gaza Strip 



Over the past five years photojournalist Monique Jaques has travelled to the Gaza Strip to document what she describes as the “strength, creativity and vibrancy of Palestinian girls and young women”.

Now she has partnered with FotoEvidence to publish a book of her photographs. “Gaza Girls: Growing Up in the Gaza Strip” is a collection of photographic essays and written accounts of women coming of age in a place we more readily associate with war and conflict. It is intended to highlight the challenges of daily life, as well as moments of joy found in a complicated existence. 





(C) All photos Monique Jaques

To find out more check out the project at Kickstarter

Awards:
Magnum Photography Awards 2017 


This week the annual Magnum Photography Award winners were announced. Congratulations to all who won and a special shout out to Nick Hannes who has been featured on Photojournalism Now in the past with his Mediterranean and the Continuity of Man series. This week Nick took out the Documentary Series award for his brilliant Bread and Circuses, a photo essay on Dubai's elite. You can see all the winners on the Lensculture site.



All photos (C) Nick Hannes

June 30, 2017

Photojournalism Now: Friday Round Up - 30 June, 2017

This week on Photojournalism Now: Friday Round Up a triple treat with Josef Koudelka in Berlin, Georgian photographer Daro Sulakauri's photo essay Black Gold and Siberian photographer Evgenia Arbugaeva's Amani. Plus some interesting weekend reading.

Exhibitions: Berlin
Josef Koudelka - Invasion/Exiles/Wall


“When I left Czechoslovakia, I was discovering the world around me. What I needed most was to travel so that I could take photographs.” Josef Koudelka


France, 1967 © Josef Koudelka / Magnum Photos

This exhibition features three significant stages of work by Magnum photographer Josef Koudelka, his first dedicated exhibition in Germany for nearly 30 years. With around 120 photographs and projections this exhibition ranges from the Soviet occupation of Koudelka's homeland in 1968 to his time in exile. The exhibition is curated by Xavier Barral in cooperation with Sonia Voss and organised in partnership with the Nederlands Fotomuseum in Rotterdam.

Czechoslovakia, 1968 © Josef Koudelka / Magnum Photos 

Czechoslovakia, 1968 © Josef Koudelka / Magnum Photos 

Czechoslovakia, 1968 © Josef Koudelka / Magnum Photos 

C/O Berlin Foundation, Amerika Haus, HardenbergstraBe 22-24, 10623 Berlin

Photo Essay:
Daro Sulakauri - Black Gold

(C) Daro Sulakauri

Georgian photographer Daro Sulakauri’s photo essay on the mining town of Chiatura in Georgia is absolutely captivating. Sulakauri’s empathy with the miners and their families is palpable and her compositions take you right to the heart of this mining community. 

Once a bustling manganese ore mining town, since the collapse of the Soviet Union these miners, who toil for 12 hours a day, earn less than USD $300 a month. It is a brutal job in a harsh region where there are few creature comforts.

(C) Daro Sulakauri

(C) Daro Sulakauri

(C) Daro Sulakauri

(C) Daro Sulakauri

(C) Daro Sulakauri

You can read the full story on National Geographic's PROOF. 

Photo Essay:
Evgenia Arbugaeva - Amani

(C) Evgenia Arbugaeva

This photo essay, by one of my favourite photographers Evgenia Arbugaeva, is in complete contrast to the previous subject matter of this Siberian artist whose Weather Man and Tiksi series I’ve written about. But her visual signature is unmistakable and immediately I'm transported to another world. There's something so rich and hauntingly beautiful about her images that captivates me. 

In 2014 Arbugaeva turned her lens on Tanzania and the Amani Hill Research Station to “bring back the atmosphere of this dark, magical place,” as she told National Geographic’s Jeremy Berlin. This station is located in the remote Usambara Mountains where Arbugaeva worked with anthropologist Wenzel Geissler, to capture this “hidden world”. It’s a wonderful visual story told beautifully by Arbugaeva. Berlin’s story is equally engaging. You can read it and see more images here

(C) Evgenia Arbugaeva

(C) Evgenia Arbugaeva

 
(C) Evgenia Arbugaeva

Great Weekend Reading:

Photobooks - Australian photobook specialists and noted academics Doug Spowart and Vicky Cooper recently showcased a range of books from Australia and New Zealand at the Vienna Photo Book Festival with great success. Check out their blog posts at WotWeDid.

How Some Photographers Make a Living - World Press Photo

March 31, 2017

Photojournalism Now: Friday Round Up - 31st March, 2017

This week on Photojournalism Now: Friday Round Up - a truly wonderful photo essay from Ukrainian photographer Viktoria Sorochinski and Siberia's amazing frozen Baikal Lake, the deepest, and cleanest on earth. Plus the winners of the Australia and New Zealand Photobook of the Year Awards. 

Photo Essay:
Viktoria Sorochinski - Lands of No Return



Ukrainian photographer Viktoria Sorochinski has been working on this photo essay for close to a decade. These beautiful, poignant and at times hauntingly sorrowful portraits capture a society that has been bypassed by progress, its elderly residents impoverished and alone. This work is incredibly mature and insightful and rings with authenticity. 

Viktoria says as a child she visited her grandparents in this small village near Kiev, a time that she recalls as "filled with light and happiness." Years later she visited the village again and this time "was astonished at how lifeless and miserable it looked. There were almost exclusively elderly people in the village. They are living out their last days: neglected by the government and often abandoned by their families. Along with their traditions and their homes, they are slowly disappearing…Even though this project started as a personal journey, the more I worked on it, the more I realized that capturing and commemorating these people and places has a greater value. They are the last remaining evidence of the once-magical and vibrant culture that will soon be known only in history books”.










(C) All images Viktoria Sorochinski

Photo Essay: 
Kristina Kakeeva - Siberia's Frozen Baikal Lake

Russian photographer Kristina Kakeeva is also an engineer. She spent several days on the lake to produce these wonderful photographs. She also tells the story of how the lake came to be, which I love.

"The only river in the world that flows from the lake is Angara, all other rivers flow into the lake. There is a legend that the Father Baikal had 336 rivers—335 sons and one daughter, Angara. All of the sons flowed into Baikal to restock the water, but the daughter fell in love with Yenisei (another river in Russia) and started to take her father’s water to her lover. In response, Father Baikal threw a huge rock into his daughter and cursed her. This rock is called Shaman-Stone; it is situated in the spring head of Angara, and is considered to be the river’s beginning."





(C) All images Kristina Kakeeva

Photobook Awards:
Australian and New Zealand Photobook Awards - Winners 


Katrin Koenning and Sarker Protick are the winners of the 2016 Australian Photobook of the Year for their publication Astres Noir published by Chose Commune (France). This win adds to a list of impressive accolades including being shortlisted for Paris Photo-Aperture Foundation Photobook Awards (First Book) and the Prix Nadar. 


Over the ditch the New Zealand Photobook of the Year was shared by Simon Devitt for Rannoch and Evangeline Davis for Touchy



To find out more: Australia and New Zealand. These awards are sponsored by Momento Pro (Geoff and Libby) who deserve a shout-out because they really do put their heart and soul into making photobooks.