March 06, 2015

Friday Round Up - 6th March, 2015

"The story of women's struggle for equality belongs to no single feminist nor to any one organization but to the collective efforts of all who care about human rights" Gloria Steinem

This week Friday Round Up celebrates International Women’s Day (March 8) by featuring the work of a diverse group of female photographers – Darcy Padilla, Mary F. Calvert, Farzana Hossen, Katie Orlinsky, Stephanie Sinclair, Louise Whelan, Nicola Dracoulis, Fatemeh Behboudi, Viviane Dalles and Shiho Fukada. Plus Christina Brown who was the first UK press photographer at the turn of the last century.

Darcy Padilla
The Julie Project



Based in San Francisco, Darcy is a multi-award winner who after internships with the New York Times and Washington Post, chose the precarious life of a documentary photographer. More than 20 years on her commitment to what can only be considered a vocation is unwavering and best evidenced in her long term story The Julie Project which she began in 1993 and pursued for 21 years. In this story Darcy chronicles the life of single mother Julie Baird whom she met when Julie was living on the streets; a poverty stricken teenager, strung out on heroin, and suffering from AIDS. This story is not only the portrayal of one woman’s struggle with the hand dealt her, but also a profound commentary on the lives of those living on the margins. 











(C) All images Darcy Padilla


Mary F. Calvert
The Battle Within: Sexual assault in America’s military
Part 1: The Hearings. Part 2: The Survivors



American Mary F. Calvert has invested years pursuing her story about sexual abuse in the US armed forces. The numbers cited are horrific – in the last year alone 26,000 women were raped and sexually assaulted in the American armed forces. Mary says “most military rape survivors are forced out of service and many are even compelled to continue working with their rapists”. Mary’s project is split into two parts – the Hearings (only one in ten cases reported goes to trial) and the Survivors, many suffer MST (Military Stress Trauma) – ‘depression, substance abuse, paranoia and feelings of isolation’. Suicide rates are also high. 







(C) All images Mary F. Calvert


Farzana Hossen
Lingering Scars

Based in Dhaka, Bangladesh, Farzana’s photo essay “Lingering Scars” portrays women who have been horrifically scared from acid attacks and other horrendous acts of violence often perpetrated by their husbands and other male relatives. “There are scores of new acid attacks and burn victims arriving everyday at the hospital. In addition to disfigurement of the face and body, some have permanent loss of eyesight; some will never be able to eat with their mouth…In Bangladesh, reports of violence against women is on the rise…and is sanctioned by both society and the state…in the name of culture, tradition and religious practices, women are usually forced to live with their abusive spouse to maintain social norms”.



(C) All images Farzana Hossen

Katie Orlinsky
Bought and Sold in Nepal


A native of New York, photographer and cinematographer Katie Orlinsky focuses on contemporary social issues and her investigations have taken her all over the world. Her photo essay Bought and Sold in Nepal exposes the trafficking of women who are sold into servitude. In Nepal the social devaluation of women, coupled with endemic poverty, has seen tens of thousands of young girls and women smuggled from their homeland into India where they end up enslaved the red light districts of India’s teeming metropolises such as Mumbai. 






(C) All images Katie Orlinsky

Stephanie Sinclair
Too Young to Wed


In more than 50 countries millions of girls as young as six years old are still forced into marriage with adult men. These girls face a life of abuse and torment. Uneducated, marginalized and persecuted by the families into which they are married, child brides lose their chance to be children free to play and explore, they lose the opportunity to better themselves and are denied basic human rights. American photographer Stephanie Sinclair has made this story her life’s work and her powerful body of work allows these innocent young girls to have a voice.







Louise Whelan
African/Australians


This series of portraits is the next installment in a project that Sydney photographer Louise Whelan has been working on for several years; documenting the multiplicity of nationalities that make up the face of modern Australia. These portraits feature people from Burundi, Democratic Republic of Congo, Ghana, Liberia, Rwanda, Senegal, Sierra Leone, Sudan and South Sudan, encapsulating the diversity of Australia’s African migrant population.

In this series Louise has combined both her documentary practice as well as her fine art portraiture, creating real depth in the narrative. These portraits are rich, not only through Louise’s masterful use of colour, but in their celebration of the courage of those who have left behind everything they’ve known to make a new life.







(C) All images Louise Whelan


Nicola Dracoulis
Viver no Meio do Barulho (Living in the Middle of the Noise)


Melbourne photographer Nicola Dracoulis’ exploration of nine young people living in Rio’s favelas is gripping. Shot in 2006 and 2013 in this series of portraits Nicola revisits the same people seven years apart capturing both the changes in individuals and their habitats.








(C) All images Nicola Dracoulis

Fatemeh Behboudi
Mothers of Patience


In this poignant black and white photo essay, Iranian photographer Fatemeh Behboudi has photographed Iranian mothers who still mourn the loss of their beloved sons who never returned from the Iran Iraq war in the 1980s. She says many of these mothers believe they communicate with their sons in their dreams, so deep and ever present is their grief.




(C) All images Fatemeh Behboudi

Viviane Dalles
Farkhonda: From Australia to Afghanistan


In 2012 while French social documentary photographer Viviane Dalles was in Australia she worked on several personal projects including this story of a young refugee, Farkhonda, who came to Australia with her family when she was ten years old. Twelve years later at the age of 22 years, Fakhonda completed her studies at University and planned her return to Afghanistan. Viviane documented her life in Australia and also visited Farkhonda in Kabul, where she is now employed with the Ministry for Foreign Affairs (Afghanistan) in Kabul and active in working to help her people.









(C) All images Viviane Dalles

Japanese photojournalist Shiho Fukada's work on Japan's Disposable Workers highlights the plight of those who work without security, in temporary jobs where they are considered "disposable". But this label extends beyond to the workforce to their personal lives where many live in isolation and poverty shunned by wider society. At a time when the economic models around the world are failing and governments and businesses have forgotten that people should come before money, this photo essay is a sobering reality and perhaps even more poignant given its setting - Japan - which has in the past been admired for its values, which are being lost to that country’s economic meltdown. Shiho is a Pulitzer Grantee.




(C) All images Shiho Fukada

Christina Broom
The UK’s first female photojournalist

Suffragette 1909 

In a career that spanned 36 years, Christina Broom took around 40,000 photographs focusing on social issues such as the Suffragette processions as well as images of the First World War. She also covered general news stories. 

Christina Broom at work


Christina with her display at the Women's War Work exhibition 1916

Grenadier Guards Christmas Day 1915

Grenadier Guards Christmas Day 1915


Suffragettes Procession 1908

Policewomen 1916

February 27, 2015

Friday Round Up - 27th February, 2015

This week on Friday Round Up new exhibitions in Melbourne and Sydney, a big shout out to Daniel Berehulak and his win in POYi Awards and Alexia Foundation announces its 2015 grant winners. Also 2015 Head On Photo Festival extends the closing date for award entries until 8 March.


Exhibitions:
Melbourne

Peter Milne -Juvenilia

 
Boys Next Door first photo session after Rowland joined, Nick’s bedroom, Caulfield, c1978
For those who lived it and for those who wished they had, Peter Milne’s Juvenilia celebrates many of the artists who were part of the vibrant, zany and ridiculously creative alternative music scene in Melbourne from the late 1970s to the mid-1980s.

“Warm, intimate, surprising and already displaying the great compositional skills, originality and humour for which Milne is known, these images offer an unprecedented peep… at a milieu of people who went on to play pivotal roles in Melbourne’s burgeoning cultural scene,” says co-curator Linsey Gosper of Strange Neighbour Gallery. 


Anita Lane


Rowland S Howard and Genevieve McGuckin, St Kilda rooftop, 1977 

Polly Borland


Rowland S Howard

Milne’s black and white images portray the intimacy that only comes with the trust of friendship. Photographs in this exhibition include early shots of Nick Cave’s band Boys Next Door, hanging out in Cave’s bedroom at his parents house. There are also a number of images of the late Rowland S. Howard, along with Mick Harvey, Polly Borland, Tony Clark, Anita Lane and Blixa Bargeld amongst others.

27 February to March 28
Q&A with journalist Michael Dwyer and Peter Milne
Thursday 5 March, 5.30 - 8pm.

Strange Neighbour
395 Gore Street
Fitzroy
(C) All photos Peter Milne

Michael Williams - Chromophobia 


“Since the early 1980s I have been fixated with the dynamic and often intrusive presence of colour within public and personal environments,” says Australian photographer Michael Williams who uses flash to “isolate elements, accentuate colour and forge a direct momentary relationship with my subjects”. 






Colour Factory Gallery
March 5-28
409-429 Gore St
Fitzroy
(C) All images Michael Williams

Sydney
Bookmarked - Stills Gallery

Diedre Brollo

Celebrating the photobook in all its forms, Bookmarked features everything from hand made books to slick, offset publications from a diverse group of artists including Diedre Brollo / Danny Digby / Stephen Dupont / Anne Ferran / Chris Fortescue / Nicholas Jones / Sarah McConnell / Trent Parke / Louis Porter / Madeleine Preston / Kurt Schranzer/ Teo Treloar as well as a selection of books from the Asia-Pacific Photobook Archive. 


Danny Digby


Nicholas Jones


Trent Parke

Exhibition: 4-28 March
Stills Photobook Fair - Saturday 7 March, 11am to 5pm
Artist Talk with Stephen Dupont Saturday 7 March, 3pm

Stills Gallery
36 Gosbell Street 
Paddington

Congratulations:
Daniel Berehulak wins Photographer of the Year, again!
Daniel Berehulak/ Getty Images Reportage

This week the POYi Awards were announced and Australian freelance photojournalist Daniel Berehulak took out top honours (again) this time for the amazing work he did on the Ebola outbreak. Daniel is one of the most inspiring, hard working and compassionate photographers I know. Absolutely thrilled that he has been recognised for this important body of work. I'm interviewing Daniel about his POYi win, so look out for my story in the coming weeks.  


Alexia Foundation 
2015 Grant Recipients Announced

Paolo Marchetti - The Price of Vanity - Professional Grant
Italy, Milan in September 2014, caiman skins exposed during the most important showroom in the world, called "LINEAPELLE." Thousands of workers are coming to this event from all over the world. Paolo Marchetti

Poland, Village of "Biala Wies" close to Grodzisk Wlkp. Here inside the company “Nutrex” one of the most important intensive breeding of minks in all Poland. Here the conveyor belt where the mink are transported from one building to another. In the background the bodies without mantles are stacked in a large container, after being processed. Paolo Marchett


Italian freelance photojournalist Paolo Marchetti is this year’s recipient of the 2015 Professional Grant from the Alexia Foundation. He will receive $20,000 to pursue his long-term project, The Price of Vanity, an exploration into the brutal world of intensive breeding farms that are used to produce skins and furs for the high-end fashion industry. Paolo, who is incredibly passionate about this project, was stunned with the news of his success. “This is terrific news for me, this is incredible. I am so grateful to the judges,” he said.

This is powerful and important visual storytelling. Next time you are looking to buy an animal skin or fur garment, remember the brutal methods in which these skins are obtained and the horrible ending to these animals' lives. Is it worth it?

Colombia, Puerto Giraldo, two hours from Barranquilla.The puppies are moved to larger tanks and with different characteristics, depending on the size and health emergencies caimans. Here in the photo, some caimans of about 70 cm. inside a tank where it is regularly paid an antibiotic estimate (the blue liquid), to ensure the occurrence of serious infections. Paolo Marchetti

Colombia, Puerto Giraldo, two hours from Barranquilla.Thousands of caiman skins stretched out in the open after the first cleaning process and salting on the farm.The skins of breeding "Repticosta" are intended to Eastern Market, the skins will be exhibited here in Singapore within 20 days. Paolo Marchetti

Michael Santiago - Stolen Land, Stolen Future - Student Grant
The recipient of the 2015 Student Grant is Michael Santiago for his project Stolen Land, Stolen Future. The grant will further his documentation of the lives of African-American farmers who have fought to acquire and maintain land across the USA, despite facing extreme difficulties. Michael will receive full tuition to study at the Syracuse University London Program amongst other prizes. 

Farmer James McGill’s Duroc and Bluebutt show pigs need to have daily exercise to keep their physique looking strong so they will please the judges at the annual Kern County Fair. Michael Santiago

February 20, 2015

Friday Round Up - 20th February, 2015

This week Alison Stieven-Taylor's interview with #Dysturb's Pierre Terdjman and Benjamin Girette, Alexia Sinclair's Rococo opens in Sydney and 2015 FotoEvidence Book Award winner is announced today.

Feature Article:
Creating a Dysturbance
Pierre Terdjman and Benjamin Girette in interview


L-R: Benjamin Girette, Alison Stieven-Taylor and Pierre Terdjman 
(C) Marty Williams

In the main, photojournalists are a resourceful bunch and many are undeterred by the so-called ‘crisis’ in journalism. This is especially true of freelancers who by the very nature of their work are adept at finding ways to tell the stories that are important to them, and to seek new ways to engage the public.

(C) Alison Stieven-Taylor

One of the most exciting examples of this ingenuity is #dysturb, an initiative that sees large black and white posters featuring a single image with caption and credit pasted on walls around some of the world’s largest cities including Paris and New York. Now it's Melbourne's turn.... (to read the full article and see more images please click on the Feature Articles tab at the top of the blog).

2015 FotoEvidence Book Award
And the winner is...

Marcus Bleasdale
Inferno: Central African Republic 


Marcus Bleasdale is the fifth recipient of the FotoEvidence Book Award. FotoEvidence publisher Svetlana Bachevanova said Bleasdale’s “personal commitment and courage in documenting the humanitarian crisis in the Central African Republic (CAR)…embody exactly the values that FotoEvidence has sought to recognize and support during the last five years”.


(C) Marcus Bleasdale

(C) Marcus Bleasdale

Bleasdale, who is with VII Photo agency, shot this particular story over 18 months, but he has trained his camera on the long term crisis in CAR for more than 15 years. For his winning story he worked closely with Human Rights Watch travelling to areas that had not seen journalists or photographers for some months. His photographs provide evidence of atrocities that few outside the country had any knowledge and as such have become important factual documents. The FotoEvidence Book Award adds to a raft of international accolades Bleasdale has garnered in recent years. Inferno: Central African Republic gives light to an ongoing conflict that has caused and continues to cause, countless trauma for those living in its shadow.

Finalists:
Fabio Bucciarelli: On the Brink of an Abyss 


Matt Black: The Geography of Poverty 


Jan Garup: Somalia in Transition 


Daniele Volpe: Guatemala - Ixil Genocide

For more information visit the FotoEvidence website.

Exhibition:
Alexia Sinclair - Rococo


One of the most exciting fine art photographers at work today, Australian Alexia Sinclair's new show 'Rococo' opened in Sydney this week at Blackeye Gallery. For those living in Oz, check out my feature article on Alexia in the Australian Financial Review Weekend, tomorrow, Saturday 21st February. Alexia will be giving artist talks this Saturday and Saturday 28th February at 3pm. 

Blackeye Gallery
3/138 Darlinghurst Road
Darlinghurst
Until 8 March


Watch the Rococo video here.