Showing posts with label new york city. Show all posts
Showing posts with label new york city. Show all posts

November 03, 2017

Photojournalism Now: Friday Round Up - 3 November, 2017

This week on Photojournalism Now: Friday Round Up a group show opens in New York, Gabriela Herman launches her book The Kids: The Children of LGBTQ Parents in the USA and Australian  Leila Jeffreys at Olsen Gruin. Next week Photojournalism Now comes from Washington and the 2017 World Press Photo exhibition.

Exhibitions: New York

The Photocloser - Group Show


On Wednesday night Frank Meo, aka the Photocloser, launched his inaugural exhibition with a group NYC show featuring the works of Donna Ferrato, Ron Haviv, Salem Krieger, Ken Hamm, Robert Ripps, Mara Catalan, Doug Winter, Maddi Ring, Patricia Gilman, Danielle Kelly, Shravya Kag, Bruce Byers, Ethel Wolvovitz and Bob Zahn. I popped in for a few minutes to see the work and say hi to Frank. Then it was off to the next opening. New York is awash with photography exhibitions.... 

(C) Ken Hamm

(C) Ethel Wolvovitz

(C) Bruce Byers

(C) Salem Krieger

Until 4 December
Paulaner 265 Bowery NYC

Leila Jeffreys - ORNITHURAE VOLUME 1

(C) All images Leila Jeffreys

I reviewed Leila Jeffreys' Conversation with a Cockatoo a couple of years ago and absolutely loved the way she captured the personalities of these iconic Australian birds. In her collection - ORNITHURAE VOLUME 1 - Jeffreys once again creates portraits that sing with individuality and vibrancy. It was fantastic to discover the Olsen Gruin gallery, which is the New York iteration of Sydney's Olsen Gallery, in New York and to view this work in an extraordinary space. The works are also presented beautifully and at a large size, are extremely impressive. 

 






Until 12 November
Olsen Gruin
30 Orchard St
New York, NY 10002
T: + 1 (646) 613-7011

Book Launch: New York
The Kids - The Children of LGBTQ Parents in the USA


Brooklyn photographer, Gabriela Herman, whose parents split up after her mother came out, has created a book The Kids: The Children of LGBTQ Parents in the USA featuring the stories and portraits of 75 children who were raised in LGBTQI families. Over seven years Herman worked on this project traversing the US taking portraits and gathering anecdotes from her subjects. Last night she held a signing at Aperture and there were a number of those pictured in the book in attendance, along with an enthusiastic and rowdy crowd!

(C) Gabriela Herman

Savanna raised by her mom and step mom: "My high school was an art school in Tempe, Phoenix, which is a good half-hour drive from where my town is. I would carpool with a good friend of mine, and her mother, surprisingly enough, is very conservative. It’s very strange to me that I love these people so much, and yet their mind-set can be very different from mine. She knows my parents. She loves my parents. We’ve been friends since second grade. So we were driving to school and we were listening to the radio, and I think it was the beginning of gay marriage becoming legal. They were read- ing this email that this woman had sent to somebody on the radio station, saying, “Who we need to worry about are the children of these gay people.” That was her email, and it was like, “We need to make that a priority. We just can’t let them be raised by these people.” And I got so angry, and they said, “If you have any comments, please call in—we want to hear you.” And I kept calling and calling, and my friend and her mom were like, “Keep doing it! Keep calling!” I finally got through, and I just went off. I couldn’t even tell you what I said. I was like, “I am a child with gay parents, and I am truly appalled at this email. No one needs to feel sorry for me. My parents are amazing.”


(C) Gabriela Herman

Zach was raised by his two adoptive moms: I was born in New Orleans. My mother was sixteen. Patricia— she’s Vietnamese. My father, Charles, was seventeen. He was black and Spanish. I was adopted by Barbara and Kim, so I have two moms. As Americans, we’re pretty quick to put people in a box or judge them, whether it’s about having two moms or what your race or ethnicity is. I had less trouble with having two moms and more issues with finding myself in terms of race and ethnicity. People said stuff about my moms, but I made it clear that if you want to talk smack . . . I called people out the first couple times. The first time that I had a real issue with having two moms was in third grade, because prior to that, everyone was like, “Oh, my God, Zach is so lucky. He has two moms. I’m so jealous.” I think for little children, that whole concept of being lesbian or gay, it’s like, “Whatever.” Honestly, I feel like sometimes parents worry about that too much for their children. They’re so afraid of what the world has in store for them. At that age, I remember people used to ask, “Why are you black and they’re white?” or “Why are you Asian?” I remember saying, “I’m adopted.” For a lot of kids, for what they understood of adoption, that was good enough for a long time.

September 15, 2017

Photojournalism Now: Friday Round Up - 15th September, 2017

This week on Photojournalism Now: Friday Round Up - a special feature on Photoville New York, plus The Aftermath Project 10th Anniversary.

Special Feature:
Photoville 2017

(C) Kisha Bari

Since its inception in 2012 Photoville has become the largest annual photographic event in New York City, with more than 90,000 attending last year. The festival features exhibitions in and on more than 55 shipping containers in Brooklyn Bridge Plaza, as well as night projections, workshops, debates, and a mini-trade show with vendors, publishers and gear demonstrators. Free of charge and open to the public, Photoville is unlike any other photo festival in the world.

This year Photoville runs over two (unofficial) long weekends 13-17 and 21-24 September.

Newest Americans, a storytelling project about immigration and American identity, kicked off Photoville this week with a live projection in the famed Photoville Beer Garden, in collaboration with Talking Eyes, VII and Rutgers University-Newark. Newest Americans chronicles the immigrant experience using documentary film, photography, fiction and nonfiction essays, podcasting and interactive storytelling, to present "fresh narratives on the emerging majority-minority population and the nation it is transforming."  

(C) Ed Kashi 

(C) Ron Haviv

(C) Julie Winokur

Kisha Bari - ReSisters: Behind the Scenes of The Women's March

Australian Kisha Bari's exhibition ReSisters: Behind the Scenes of The Women's March, is a project that has seen Kisha cover the Women's March movement since January this year. There are some fantastic images in the show and Kisha has captured wonderful, candid moments. 

"I am honored to present some never before seen imagery of the lead up to the Women's March on Washington from NYC to D.C," says Kisha. "The work presented captures this awesome women-led movement and celebrates the political power of diverse women and their communities to create transformative social change.”





(C) All images Kisha Bari

Panel Discussion: Reclaiming Photography
(C) Danielle Villasana

This should be a great talk (wish I could be there for this alone) featuring founding members of RECLAIM: an alliance of The Everyday Projects, Native Agency, Majority World, Women Photograph, Minority Report [renamed from Visioning Project], and Diversify Photo.

Panelists are:
Laura Beltrán Villamizar (Native Agency)
Shahidul Alam (Majority World)
Daniella Zalcman (Women Photograph)
Brent Lewis (Senior Photo Editor ESPN’s The Undefeated)
Tara Pixley (Scholar/Filmmaker/Photographer)
Austin Merrill (Everyday Projects)

For more details check out the link here.

Random images from exhibitions you should check out if you're lucky enough to be in NYC!

Insider/Outsider - Women Photograph 
(C) Abbie Trayler-Smith 

The Blood and the Rain - Magnum Foundation
(C) Yael Martínez

Carbon's Casualties: How Climate Change is Upending Life Around the World
New York Times (C) Josh Haner

We Have Experienced Calamities
Médecins Sans Frontières (MSF)
(C) Juan Carlos Tomasi

Visit the Photoville website for all the details.


War is Only Half the Story
The Aftermath Project 10th Anniversary
(also exhibiting at Photoville)

(C) Stanley Greene

War is Only Half the Story is a ten-year retrospective of the work of the groundbreaking documentary photography program, The Aftermath Project.

Founded by photographer Sara Terry to help change the way the media covers conflict – and to educate the public about the true cost of war and the real price of peace – The Aftermath Project has run a grant program for the past decade, supporting some of the best documentary photographers in the world working on post-conflict themes. You can check out the project at Photoville.

Juan Arredondo/Finalist, 2016 “Everybody Needs a Good Neighbor”
Angél, 14, and Daniel (right), 16, members of the ELN Che Guevara Front pose for a picture at their camp in Chocó. The Che Guevara front operates on the Pacific coast of Colombia patrolling important corridors to allow the export of cocaine to the Pacific Ocean and into Mexico. February 17, 2014.


Isabel Kiesewetter/Finalist, 2013 “Conversion”
Fusion Festival, Larz Former Rechlin-Larz military airfield
1933 - 1945: Main testing ground of the Third Reich’s Luftwaffe
1945 - 1993: Used by the 19th Fighter Bomber Regiment West of the Group of Soviet Forces in Germany


Stanley Greene/Grant Winner, 2013 “Hidden Scars”
A scarecrow and his guard dog watch over the village of Bamut, which was always a rebel stronghold, and was the last village to fall to Russian forces. The entire village was leveled by the Russian military. Bamut is near the Chechen border with neighboring Ingushetia, which lies to the west of Chechnya. In April 2014, Chechen President Ramzan Kadyrov sent forces on a cross-border raid into Ingushetia. A few years previously, he sent forces on a similar raid into Dagestan, to the east. Kadyrov’s pan-Caucasus ambitions are making his neighbors uneasy. Bamut, Chechnya, 2013. 

The tenth anniversary book, which is co-production with Dewi Lewis Publishing, takes a completely new approach to presenting the work The Aftermath Project has supported. Rather than a chronological order, photographs are curated under five themes, defined by the poetry of Nobel Laureate Poet Wislawa Syzmborska:

“All the cameras have gone to other wars…”
“After every war someone’s got to tidy up…”
“Perhaps all fields are battlefields…”
“This terrifying world is not devoid of charms…”
“Reality demands that we also mention this: Life goes on.”

There is a Kickstarter project to fund the book.

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May 12, 2017

Photojournalism Now: Friday Round Up - 12th May, 2017

This week on Photojournalism Now: Friday Round Up - three very different exhibitions are on in Melbourne with works by Helga Leunig, a group show on street photography and Tom Goldner. Plus David Katzenstein's fabulous Bronx Bodegas photo essay. And for those in Sydney, don't forget that Head On Photo Festival is on until the end of the month.

Exhibitions:
Helga Leunig - 3 weeks in Cuba

Australian documentary photographer Helga Leunig brings to life the everyday in her beautiful, relaxed and joyful images of Havana, Cuba.
















(C) All images Helga Leunig

Until 7 July
3 weeks in Havana
Epworth Art Gallery
1 Epworth Place
Waurn Ponds Geelong
(about an hour from Melbourne)

Group Show - Shot in the Heart of Melbourne
This annual street photography and photojournalism exhibition, which is now in its 6th year, features work by 21 diverse photographers who use the city as their canvas to “celebrate the decisive, and often indecisive, but always graceful moments that occur within our gritty, yet beautiful city”. Presented by the Australian Association of Street Photographers.

'Degraves Street Reflection' Mark Lourensz

'K9 Uber' Kathy Chapman 

'Footscray Station Footbridge' Joe Chow 

 
'Bourke Street from Spencer Street' Joe Chow

Until 22 May
Victorian Artists Society
430 Albert Street
East Melbourne 

Tom Goldner - Passage
Melbourne photographer, and gallery owner, Tom Goldner's Passage features photographs taken on medium format film and meticulously printed by Goldner in the Fox Darkroom which he founded in 2014. These contrasty, black and white images of the Mont Blanc regions of Italy, France and Switzerland taken in 2015 and 2016, capture this majestic landscape, and show how analogue practices can bring something new to the contemporary landscape discourse.



  


(C) Tom Goldner

Until 21 May
The Fox Darkroom & Gallery
8 Elizabeth Street
Kensington
(enter via laneway)

Photo Essay:
David Katzenstein - Radiant Excess: Inside Bronx Bodegas


I love this series that captures this American tradition in all its colourful eccentricity and celebrates the diversity of one of New York's most iconic boroughs, The Bronx. To see more visit David Katzenstein's website. 




(C) All images David Katzenstein