Showing posts with label WW1. Show all posts
Showing posts with label WW1. Show all posts

April 10, 2015

Friday Round Up - 10 April, 2015

This week on Friday Round Up new exhibitions in Melbourne and Sydney, plus the 2015 Getty Grants for Editorial Photography round is now open.

Photos of the Week:

Lynsey Addario -  India's Insurgency


Coal worker Ajay Marijan carries a load from an open-pit mine to a waiting 
truck in Bokapahari, Jharkhand state (C) Lynsey Addario
At an ad hoc restaurant, men prepare breakfast for workers clocking in for the 
morning shift at the coal-based Jindal Tamnar thermal power plant, in the 
Raigarh district, Chhattisgarh (C) Lynsey Addario


Exhibitions:

Melbourne


Polaroid Resurrection
by FilmNeverDie
(C) Luigi Sposa Berbera

This group show at Melbourne’s Photonet is part of the global ExPolaroid Exhibition Festival being held in 40 cites around the world. ExPolaroid began in France and is held annually in April. This year there are 57 events. Melbourne’s FilmNeverDie is run by a group of film enthusiasts who sell a range of photographic film types and hosts forums for those who are keen to know more about the medium. Polaroid Resurrection is the first exhibition by FilmNeverDie. 


(C) Amanda Mason

(C) Francis Danesi

(C) Gary Wong

(C) Pei Wen

(C) Rachael Baez

Photonet Gallery
15a Railway Place
Fairfield
Until 22 April

Rob Love - Timeless


Melbourne based Rob Love uses extended shutter speeds to capture these painterly images of water. Made in camera without the aid of computer manipulation, Love’s images are both abstract and documentary in their capacity to at once demonstrate the power of nature and its ethereal beauty. Love produces single prints rather than limited editions and his work is held in collections in Australia and the USA.




(C) All images Rob Love

Colour Factory
409-429 Gore Street
Fitzroy
Until 2 May
Artist Talk; Saturday 18 April, 2pm

Sydney:

Jane Brown - Black Ships 

(C) Jane Brown, Reception Centre, Kyoto, 2015, Silver gelatin FB print 
hand print,17 x 21cm courtesy of the artist and Stills Gallery, Sydney 

Australian photographic artist Jane Brown’s latest series, Black Ships, is named after the term used by the Japanese in reference to Western water crafts approaching Japan’s shores and dates back to the 16th Century when Portugese fleets painted the hulls of their ships with pitch. Black Ships became symbolic of the opening of borders.

Black Ships is Brown's first exhibition at Stills Gallery and draws on this symbolism through the use of various visual tropes – “pathways and bridges to reflect the idea of a journey, bandaging and wrapping symbolic of past wounds, walls and fences figurative of boundaries and cultural isolation, nature and decay referencing the Japanese concept of mono no aware (mortality and a pathos for the transience of things)”.

“Ultimately, Black Ships is a travelogue that looks to the strange machinations of history, and at the same time, a reflection on contemporary Japan...More broadly it is an articulation of curiosity, seeking out points of difference from home – the peculiar, the beautiful and the unfamiliar.” 


(C) Jane Brown, Wisteria, Miyajima, 2015. Silver gelatin FB print 
hand printed, 17 x 21cm courtesy of the artist and Stills Gallery, Sydney 


(C) Jane Brown, Silver Pavilion, Kyoto, 2015. Silver gelatin FB print 
hand printed, 17 x 21cm courtesy of the artist and Stills Gallery, Sydney 

(C) Jane Brown, Hiroshima, 2015, silver gelatin FB print
hand print, 17 x 21cm courtesy of the artist and Stills Gallery, Sydney

Stills Gallery
36 Gosbell Street
Paddington
Until 2 May


Grants:
Getty Grants for Editorial Photography

(C) William Daniels

In 2015 there are five Getty Grants for Editorial Photography on offer valued at $10,000 each. The Grants are designed to celebrate and support independent photojournalism. Applications are open until 13 May and winners will be announced in September, 2015.

Judges for this year are photojournalist Lynsey Addario, Jon Jones Director of Photography Sunday Times Magazine, Matthias Krug, International Director of Photography Der Spiegel, Romain Lacroix, Director of Photography Paris Match and Jean Francois Leroy, Director General Visa pour l’Image. 

 (C) Jordi Busqué 

(C) Giulio di Sturco

Last year’s winners were Giulio di Sturco for his body of work titled Ganges: Death of a River; Juan Arredondo for Born in Conflict; Jordi Busqué for his award-winning portfolio, The Mennonites of Bolivia; Krisanne Johnson, for South Africa's Post-Apartheid Youth and; French photojournalist, William Daniels for his CAR in Chaos body of work. 

(C) Juan Arredondo

(C)Krisanne Johnson

In Brief:

Defending Gallipoli: A Turkish Standpoint



Until 3 May
Monash Gallery of Art
860 Ferntree Gully Road
Wheelers Hill

July 04, 2014

Friday Round Up - 4 July, 2014

This week on Friday Round Up photojournalist Tim Page releases his "21" box set, Nathan Miller's new book Somewhere in Jaffa in review, an interview with Melbourne photographer Rod McNicol, and congratulations to Shannon Jensen, Viviane Dalles and Maxim Dondyuk for their award wins. Plus a quick recap of the exhibitions currently on in Melbourne and Sydney.

Pictures of the Week


(Photo: Library of Congress)

100 years ago the world was at war. The Great War, as World War 1 is known, involved more than 27 nations. More than 16 million people lost their lives and another 21 million were wounded. 100 years on and the machinations that drive countries to war are still firmly entrenched. Who says history never repeats? The top photograph was taken in 1916 in Romania. The bottom in Syria in 2014.


(Photo: AFP)

Box Collection:
Tim Page "21"




In 2010 British-born photojournalist Tim Page was named one of the “100 Most Influential Photographers of All Time,” by Professional Photographer magazine. Page, who is now 70 years old, has spent more than half a century immersed in the sometimes heady, often uncertain world of the photojournalist. He’s had books written about him, movies made and numerous international exhibitions. But perhaps one of his greatest challenges has been to select a mere 21 photographs from his archive of more than a quarter of a million negatives to create his limited edition boxed set “21”....(to read Alison Stieven-Taylor's story on L'Oeil de la Photographie please click here). (Photo: (C) Tim Page).

Book:
Nathan Miller - Somewhere in Jaffa

Israeli photographer Nathan Miller lived in close proximity to the port city of Jaffa for more than 20 years. As a young man in Tel Aviv, Miller rarely gave this ancient city a thought; he was more interested in seeing the world, than exploring his own backyard and spent years traversing the globe photographing cultural histories before ending up in Australia where he now lives.

As is often the case when it comes to creative projects, Miller’s ‘Somewhere in Jaffa’ began completely by chance. On a trip to Israel fate played its hand. Unable to find accommodation in Tel Aviv, Miller bedded down in Jaffa for the first time. “Suddenly a new world opened up to me and I fell in love,” he states...(to read the full review and see more photographs please click on the Book Reviews tab at the top of this blog). (Photo: (C) Nathan Miller)

Interview:
Rod McNicol


Australian photographer Rod McNicol has made a 36-year career out of a singular vision; to take portraits in the 19th Century ‘stare back’ style. Now a major survey of his work, ‘Memento Mori’, is on show in Melbourne.

McNicol was one of the early students of the now infamous Prahran College of the Arts in Melbourne. In its heyday in the seventies, and under the tutelage of one of the most creative, and unorthodox teaching staff, Prahran encouraged its students to genuinely think outside the box. But after a semester at Prahran McNicol decided the College environment wasn’t for him. “I knew I’d be locked into this obsession and I was right. Three and a half decades later and I’m still there”...(to read the full interview and see more photographs please click on the Feature Articles tab at the top of this blog). (Photo: (C) Rod McNicol).

Awards - The Winners:
Shannon Jensen wins Inge Morath Award
Viviane Dalles wins Canon Female Photojournalist 2014
Maxim Dondyuk win Rémi Ochlik Award

It is tremendous to see photographers that we've profiled on Photojournalism Now take out some of the major awards in our industry. In the last month three major awards have been announced and here are the winners:

Inge Morath Award
American photojournalist Shannon Jensen has won the 2014 Inge Morath Award. Jensen was selected for her photo essay "A Long Walk," which documents refugees fleeing the violence in Sudan through focusing on their footwear. This has been a controversial work for Jensen who has had mixed reviews. But the endorsement of Magnum Photos in naming Jensen this year's winner will enable her to complete her story, which may become a book. To see more of her work click here.

 
(C) Shannon Jensen

Canon Female Photojournalist
French photographer Viviane Dalles has been named this year's winner of the Canon Female Photojournalist Award from a pool of over 90 applicants from 26 countries. The competition, which is sponsored by ELLE magazine, carries an 8,000€ prize that Dalles will use to complete her project on teen pregnancy in northern France. To see more of her work click here. 


Portrait: Viviane Dalles

Rémi Ochlik Award
Winner of this year's Prix de la Ville de Perpignan Rémi Ochlik Award is Ukrainian photographer Maxim Dondyuk. As part of the prize Dondyuk's work will be exhibited at this year's Visa pour l'Image in Perpignan in September. Earlier this year we featured Dondyuk's intense photo essay on the TB epidemic plaguing Ukraine on Friday Round Up (7 March). To view more of his work click here.


(C) Maxim Dondyuk

Exhibitions: Melbourne

Edmund Pearce - View from the Window until 19 July

(C) Justine Varga

Strange Neighbour - A Window that isn't there until 2 August 


(C) Daniella Gullotta

Centre for Contemporary Photography - The Sievers Project until 31 August 


(C) Jane Brown

Exhibitions: Sydney

Black Eye Gallery - Germinate until 13 July

(C) Eden Diebel


Art Gallery of NSW - Max Dupain Paris until 24 September


(C) Max Dupain